Ghost Imperatour 2022 with Mastodon & Spiritbox

Date Sep 19,2022 ,Monday, 7:30 pm

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Ghost with Mastodon and Spiritbox

Imperatour 2022

Monday, September 19, 2022 at 7:00 p.m.

The Dow Event Center Arena

Children of North America, rejoice… GHOST will once again bring the “euphoric spectacle” (ROLLING STONE) of its live ritual to North America for the next leg of its globally dominating IMPERATOUR. The North American IMPERATOUR will see the GRAMMY® Award-winning Swedish theatrical rock band headlining 19 arenas across the U.S. and Canada (plus an appearance at Virginia’s Blue Ridge Rock Fest), kicking off August 26 at San Diego’s Pechanga Arena and running through September 23 at the Resch Center in Green Bay.

The newly announced dates will comprise Ghost’s first North American run since the March 11, 2022 release of its fifth album IMPERA via Loma Vista Recordings. As reported by THE LOS ANGELES TIMES in a Calendar cover story, Ghost “conquered metal and the charts” as IMPERA debuted at #1 in a sweep of the U.S. album charts, entering the BILLBOARD 200 at #2 with first week sales of nearly 70,000. Internationally, IMPERA bowed at #1 in the band’s native Sweden as well as Germany and Finland, while cracking the top 5 in the UK (#2), Netherlands (#2), Belgium (#2), Canada (#3), Australia (#3), France (#5), Ireland (#5), and more. Produced by Klas Åhlund and mixed by Andy Wallace — and featuring “Spillways”—hailed as a “sweetly constructed rock tune” by THE NEW YORK TIMES, the Billboard Rock Chart (BDS) #1 charting “Call Me Little Sunshine,” and Active Rock #1 radio single “Hunter’s Moon” — IMPERA finds Ghost transported centuries forward from the Black Plague era of its previous album, 2018 Best Rock Album GRAMMY® nominee Prequelle—or as ROLLING STONE put it, “Ghost predicted the pandemic, Now the metal band is foretelling the fall of empires.” The result is the most ambitious and lyrically incisive entry in the Ghost canon: Over the course of IMPERA’s 12-song cycle, empires rise and fall, would-be messiahs ply their hype (financial and spiritual alike), prophecies are foretold as the skies fill with celestial bodies divine and man-made… All in all, the most current and topical Ghost subject matter to date is set against a hypnotic and darkly colorful melodic backdrop making IMPERA a listen like no other — yet unmistakably, quintessentially Ghost.

The announcement of IMPERATOUR’s North American swing completes a perfect storm of Ghost mania, coinciding with this week’s ascension of “Call Me Little Sunshine” to the top of the Rock Radio chart and the unveiling of Chapter 11: Family Dinner, the newest installment of Ghost’s long-running narrative series of webisodes. In this next chapter, we find Papa Emeritus IV, having returned to the Ministry, joining Sister Imperator, Mr. Saltarian, and the spirit of Papa Nihil for a meal of Chinese takeout. To take your seat at the reunion dinner, go HERE.

Support on all dates (with the exception of Green Bay which will feature support from Carcass, and the Blue Ridge Rock Fest) will come from GRAMMY® Award-winning band Mastodon, who have quietly evolved into one of the most influential, inimitable, and iconic rock bands of the modern era. Since emerging in 2000, the Atlanta quartet have defied both sonic and thematic boundaries with an uncategorizable, undeniable, and uncompromising vision unlike anything else in music. This vision manifested over the course of canonical albums such as Leviathan, which landed on Rolling Stone’s coveted The 100 Greatest Metal Albums of All Time. Following the seminal Crack The Skye [named one of the best albums of 2009 by Time], they earned three consecutive Top 10 debuts on the Billboard Top 200 with The Hunter [2011], Once More ‘Round the Sun [2014], and Emperor of Sand [2017]. Out of six career nominations, they received a GRAMMY® Award in the category of “Best Metal Performance” for “Sultan’s Curse.” They are the rare creative force whose music can be felt everywhere from Game of Thrones, Adult Swim, The History Channel, and DC comics films to Coachella and Bonnaroo. They notably supported the Hirschberg Foundation For Pancreatic Cancer Research with a rendition of “Stairway To Heaven” in honor of late manager Nick John. The group reached another critical high watermark via their ninth full-length, Hushed and Grim. Featuring the GRAMMY® Award-nominated “Pushing The Tides,” it marked the band’s third straight #1 bow on the Billboard Hard Rock Albums Chart. It concluded 2021 on over a dozen year-end lists with Rolling Stone raving, “we get everything from some of the band’s hookiest rockers to date to some of their most awe-inspiring epics.” Evolving as they usher rock into new realms, they forever remain the same unpredictable trailblazing beast—Mastodon.

Venue Presale: Thursday, May 19, 2022 at 10:00 a.m. – 10:00 p.m.

Venue Presale tickets will be available online only at AXS.com with the presale code. To receive the presale code, please sign up for our free email newsletter at https://bit.ly/2LC76Y2 or download our free mobile app and enable push notifications by Thursday, May 19, 2021 at 9:59 a.m. Our mobile app is available to download on the App Store for IOS devices and on Google Play on Android devices. The Venue Presale code will be released via email when the presale begins (May 19 at approximately 10:00 a.m.).

About the Acts:

Ghost

Ghost Press Photo Dow Event Center arena concert

GHOST continues to elevate and reaffirm its status as one of the world’s most esteemed and celebrated creative forces. Accumulating well over a billion streams, the GRAMMY-winning Swedish theatrical rock band continues to bring  the “euphoric spectacle” (ROLLING STONE) of its live shows to ever-growing and increasingly impassioned crowds, headlining arena tours including sold out shows from The Forum in Los Angeles and Barclays Center in New York to London’s O2 Arena and Stockholm’s Avicii Arena. In March 2022, THE LOS ANGELES TIMES reported in a Calendar cover story that Ghost had “conquered metal and the charts” when its fifth album IMPERA debuted at #1 in a sweep of the U.S. album charts, entering the BILLBOARD 200 at #2 and bowing at #1 in the band’s native Sweden as well as Germany and Finland, while cracking the top 5 in the UK (#2), Netherlands (#2), Belgium (#2), Canada (#3), Australia (#3), France (#5), Ireland (#5), and more. Produced by Klas Åhlund and mixed by Andy Wallace — and featuring “Spillways”—hailed as a “sweetly constructed rock tune” by THE NEW YORK TIMES, the #7 YouTube trending “Call Me Little Sunshine,” and Active Rock #1 radio single “Hunter’s Moon” — IMPERA finds Ghost transported centuries forward from the Black Plague era of its previous  album, 2018 Best Rock Album GRAMMY nominee Prequelle—or as ROLLING STONE put it, “Ghost predicted the pandemic, Now the metal band is foretelling the fall of empires.” The result is the most ambitious and lyrically incisive entry in the Ghost canon: Over the course of IMPERA’s 12-song cycle, empires rise and fall, would-be messiahs ply their hype (financial and spiritual alike), prophecies are foretold as the skies fill with celestial bodies divine and man-made… All in all, the most current and topical Ghost subject matter to date is set against a hypnotic and darkly colorful melodic backdrop making IMPERA a listen like no other — yet unmistakably, quintessentially Ghost.

Mastodon

Death is inevitable. Time is a precious, finite resource. Regret springs solely from our collective inability to square these two truths. A friend suddenly passes away and you’re left to think about all those times where you could have said how much you appreciate them and didn’t – because you figured there would always be a next time. A partnership collapses and you’re left to reflect on the moments you took for granted, the ways you could have been more present. A band lacks the foresight to predict that touring will cease to exist for two years and doesn’t leave it all on the stage that last night; or, think of the fan that doesn’t stick around for the encore because they wanted an extra half hour of sleep.

These concerns were not hypothetical for Mastodon. The core lineup has been in place for 21 years, an eternity in the highest echelons of metal, where even the most legendary band names eventually become brands staffed by a rotating cast of hired guns. And yet, Brann Dailor, Brent Hinds, Bill Kelliher, and Troy Sanders experienced enough individual and collective tragedy to threaten their adamantine bond – the death of their longtime friend and manager Nick John after battling pancreatic cancer, a devastating global pandemic that put their faith, families, and livelihoods in jeopardy. Mastodon’s decades of success and the brotherhood between its four members had not made them any more immune to the possibility that it could all splinter tomorrow. Mastodon had a glimpse of the end and committed to a new beginning – and Hushed And Grim does not take a single moment for granted.

And there are more of these moments than on any previous Mastodon release. It initially feels reductive to simply describe Hushed And Grim as Mastodon’s ninth album – at 88 minutes, their first double LP boldly defies conventional assumptions about attention spans in the streaming era. With the expanse of a studio film, the texture of a novel and the breadth of a Greatest Hits, Hushed And Grim is Mastodon paying tribute to John by building an eternal monument. “He’s always been an influence when he was alive,” Hinds wistfully states. “And he’s even more of an influence now.”

Consider why double albums are frequently called “monumental.” Mastodon is very much aware of what this format says about their legacy in heavy music. Dailor recalls his formative teenage years absorbing every note of world-building epics like The Lamb Lies Down on Broadway, Physical Graffiti, and The Wall, milestone works from bands whose inspiration and craft have simultaneously reached a zenith. “It takes some balls to put out a double album these days or takes some ovaries,” Dailor quips. “I’ve been trying to say ovaries because I think it’s more powerful.”

Mastodon fundamentally altered the course of 21st century metal on 2004’s classic Leviathan, and every album thereafter continued to shape the genre in their image. In 2018, five-time nominees Mastodon won their first GRAMMY®, with “Sultan’s Curse” earning Best Metal Performance. Arguably more impressive was Emperor of Sand being nominated for Best Rock Album, with lead single “Show Yourself” hitting the top five on Billboard’s Mainstream Rock chart. Without sacrificing an iota of their intensity and intelligence, Mastodon’s imprint on pop culture has spread from Adult Swim to late night network television, from the History Channel’s Counting Cars to HBO’s Game of Thrones, from DC Comics Dark Knight Metal to Bill and Ted Face the Music.

But as Sanders points out, “the most solid representation of us is when we get in our cycle and craft a wholesome, dynamic and beautiful record from top to bottom. That’s what we ultimately thrive on.” Hushed And Grim only emphasizes what the band’s many accomplishments has expressed to this point – Mastodon have transcended genre of any kind, animated by an unwillingness to compromise that results in their most expansive and accessible release yet. There are no interludes, no filler, none of the stereotypical bloat that accompanies even the most revered double albums. With the spirit of Nick John coursing throughout its entirety, “every song has a place in our hearts,” Kelliher stresses.

Throughout, Mastodon travel through time and space, through memory and imagination, drawing on their experience and formative influences to open new portals. On “Pushing the Tides,” they exist at the thrilling intersection of metal and post-hardcore, “The Beast”’s heaving Southern rock, replete with a countrified contribution from guitarist Marcus King, creates an alternate history of the Allman Brothers sharing a bottle of Jack Daniels with Black Sabbath, “Had it All” features a guitar solo from Soundgarden’s Kim Thayil and some classical French Horn by Jody Sanders, Mother of Troy, reimagining Mastodon as a band intermingling with the monsters of Headbanger’s Ball. It’s all overseen by the legendary producer David Bottrill now including Hushed And Grim alongside his prior progressive pop landmarks from Peter Gabriel, Tool and King Crimson.

Yet for all of their technical mastery and ambitious musicianship, the most daring aspect of Hushed And Grim comes from the voices of Mastodon themselves. It’s not just in the tremendous growth all members have made as vocal performers, exemplified in the explosive shouts of “The Crux” and the aching refrain of “Skeleton of Splendor”; there’s an unmistakable expressive grit that cannot be coached, that takes years of endurance and pain to unlock.

As Mastodon’s music continues to expand outward, each member traveled inward, more deeply to unearth their most emotionally transparent lyrics yet. “One thing I’ve noticed about longevity is that you kind of eliminate layers of bullshit and become more honest,” Sanders muses. In the past, Mastodon albums were so memorable in their metaphorical heft that it threatened to swallow them whole – they’re the Moby Dick band, the Rasputin band, the guys who wrote about wolves and skulls. “We pull authentic emotion from our life experiences,” Sanders explains. “And we channel that through the art that we call Mastodon.” And the themes of heartbreak, of joy and hope that have always underpinned the band’s most referential work are pushed to the fore on Hushed And Grim.

Look, they’re still called Mastodon – the metal is here, Kelliher and Hinds’ riffs are still massive, Sanders’ bass can level a mountain and Dailor’s drumming is every bit as dazzling in its intricacies. Yet, the towering “Had It All” was originally built from Sanders’ simple acoustic strum, Kelliher and Hinds’ interplay impresses with a newfound, nimble sense of melody and Dailor’s restraint is as thrilling as his blinding fills as “The Beast” brings a slow Southern shuffle to their repertoire. But Hushed And Grim dares you to see Mastodon as what they’ve always been – four friends from Atlanta who are subject to the same struggles as you and I. “I’ve turned the grief to medicine,” “I feel the pressure,” “death comes and brings with him sickle and peace,” “leaving you behind is the hardest thing I’ve done,” these are their refrains, to be shared between Mastodon and the listener as equals. “My love, so strong/The mountains we made in the distance/Those will stay with us” – these are Mastodon’s parting words on the closing “Gigantium,” and we is all-inclusive, to themselves, to the fans that have stuck with them throughout the years, and the new ones to come. And to Nick Johns’. Our time together can’t possibly last forever and, inevitably, Mastodon may one day be no more. Hushed And Grim will remain.

Spiritbox

Spiritbox Ghost Opening Act at Dow Event Center

Named after a device some believe is capable of communicating with the dead, there’s a gleeful sense of the paranormal running through all that Canadian metallers Spiritbox do, but this is a group of artists who are very much brimming with life and creating something remarkable with their music. Their hit single “Holy Roller” scored the band – vocalist Courtney LaPlante, guitarist Michael Stringer, bassist Bill Crook and drummer Zev Rosenberg – the No. 1 song of 2020 on Sirius XM, with the trio having amassed a staggering XXX million streams across their catalogue. With ambitious and intelligent debut full-length Eternal Blue now out in the world, successes continue to roll in for Spiritbox, with their first LP topping the U.S. and Canadian Rock and Hard Rock charts, breaking the top 20 in the U.K., Germany and Australia, and peaking at #13 on the Billboard 200.

Spiritbox’s music is characterised by fierce intensity, unwavering emotion and technical splendour. Architects frontman Sam Carter is a notable fan, and features on Eternal Blue song “Yellowjacket.” Elsewhere, single “Circle With Me” blends the light-and-dark, soft-and-heavy facets of the band’s sound effortlessly, while on “Secret Garden,” Spiritbox thrillingly mix pop with prog-rock. The cumulative result is a band who have “delivered a staggeringly brilliant record that resoundingly delivers on the hype” (Metal Hammer), and with an unbreakable connection between themselves and their fans firmly in place, Courtney, Mike, Bill and Zev remain determined that the Spiritbox phenomenon continues to usher in more and more followers who identify with Eternal Blue’s imaginative and universal messaging.

Mask wearing will be encouraged. Entry requirements are subject to change.

CLICK HERE FOR VENUE COVID-19 POLICY & PROCEDURES

On Sale: Friday, May 20, 2022 at 10:00 a.m.

Tickets on sale to the general public will be available at Ticketmaster.com or in person only at The Dow Event Center Box Office Thursdays 10:00 a.m. – 2:00 p.m. and Fridays 10 a.m. – 5 p.m. Please visit internal window #10 at that time.

*Additional fees may apply when purchased online. Prices listed are when purchased in person at the Dow Event Center Box Office.

*Prices vary by seat location. Prices are subject to change based on supply and demand.

Improvements Coming To The Dow Event Center Parking Ramp

To improve your entertainment experience, The Dow Event Center is in the process of renovating its parking structure across from venue. These capital improvements include repairing and replacing the elevators and lighting, and performing structural upgrades to the parking ramp.

While this is in progress, parking will be available at the following locations:

  • Dow Event Center front lot, 303 Johnson
  • 400 lot across from The Dow Event Center, 400 Johnson
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Credit cards are now accepted!